The Arts Desk

[Rachel’s editing style,] is all about feel, tones, and texture. It’s linear, but happily jack-knifes with abandon, and to great – sometimes startling – effect.

Uncut Magazine (UK)

Steering clear of voiceover narration, the film is an immersive, fly-on-the wall experience -- particularly in the barn session sequences.

Uncut Magazine (UK)

Harvest Time isn’t merely a chronicle of talent …In this candid, intimate footage, capturing unforced moments of artistic collaboration in full flow yet rarely lacking in a level of dramatic substance necessary to make for enjoyable watching,

Spectrum Culture

It’s the music-centric sequences, however, that hold the most value. Young may have molded these raw materials into a simple, sturdy and satisfactory cinematic shape, but it’s in the extended accounts of rehearsing and recording that his movie sings the strongest – something of which he and editor Rachel Simmer are evidently cognizant.